Reaching Off

by DBLevin

“I got it,” the girl says, laughing
at how incompetent I am
because I fumble at the door
as we leave the coffee place.
It is early in the morning.

And I remember this
as I am walking to school.
I regret that I didn’t ask her
to walk with me. Imagining
that could carry me all day.

We would have split here.
That song, “Can’t you see?
Oh, can’t you see…” in my head.
“It’s not that I miss my ex-girlfriend,
it’s that I miss having a girlfriend.”

My marine friend said to me,
“I just want to be back overseas.”
My professor calls it a cycle
of fullness and emptiness and he rolls
life in the air with his hands.

I cannot remember on what end
we write poetry. Does it drain
or fill us? I wonder how a marine
feels when he shoots his gun,
how it feels to truly fuck.

I went to class two stanzas back,
talked to someone, took a shit,
thought about masturbating.
Am I fuller or emptier now?
Maybe I just ruined the poem.

My mom called me.
The only other way it could be:
either you are entirely full
or empty. Like honesty, pregnancy,
you can’t be sort of complete.

I want to call my mom back,
hold her voice in my head.
It pours in and strengthens me.
Poetry is like that—
fullness shooing emptiness away.

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